In order to be universal, you have to be rooted in your own culture.

I've often noticed that we are not able to look at what we have in front of us, unless it's inside a frame.

When I find the character, I try to spend time with them and get to know them very well. Therefore my notes are not from the character that I had in my mind before, but are instead based on the people I've met in real life.

I don't ask my students to have studied film or any education in general. What I ask them is to come and sit and tell me a story, and the way they choose it and tell it, for me, the best criteria for whether they are right for making films. There's nothing more important than being able to tell your story orally.

I think being someone in love is so hard to define, so temporary, because retrospectively we often deny the state in which we were in love.

My way of expression is full of complications and mystery because that's my perception of life.

As long as I take the responsibility of the choice, I have to make the choice that is as right as possible.