I think that the job of art and culture is to jump on that time and realize that it's there and to push it just a little bit faster.

The only way that Hollywood ever skews toward liberal is because part of what we make out of Hollywood involves writers, actors, directors, musicians, set designers, and photographers. In general, people like that are going to be more progressive, more open minded, a little more altruistic.

When you screen it the first couple times, you're just trying to get the movie to work, trying to get the story to flow, trying to find out where your areas are where you have enough breath to laugh a little bit. So you're doing that the first two or three screenings, and then finally, you dial the movie in and it's working, and at that point, it's 50/50 as far as what's funny and what's working. Sometimes you'll put something in and it will just die so hard that it'll almost kill the movie.

'Blazing Saddles' is one of the funniest movies ever made.

For a documentary it's so important to find the characters and to find people who will give you access to film

All we have is our vote. But it's powerful.

There's such an aggressively apolitical movement in the US that anything that smells of being political - even the term "political" is so ridiculous, when you think about it. The worst part of governing, the political side, is the grossest part, so that's what they call it. So anything that reeks of that immediately gets tuned out by 70 percent of the population.