Well, I suppose I've never really had a lifestyle that needs upkeep. I don't get cabs; I'm on the Tube with my Oyster card.

For modeling, I was always creating characters. I dress like a tomboy. So, when I'd go into a shoot, there'd be all these dresses, and I'd say to myself, 'Okay, this isn't me. It's somebody else. So, who is this person?' Acting is the next level of that.

I suppose each project is a new thing, so there's all this excitement and nerves about this new thing. Every single thing is like a new thing, so it's never what I expect. I don't know what to expect for the next thing. There are always different people. It's interesting.

I don't really go to fashion parties; they're not my scene.

I'd like a relationship that was like two tree trunks side by side, strong but independent.

It will appeal to girls who are confident and have a strong personal expression of style and identity in the way that they dress and what this says about themselves.

It is captivating, isn't it? England has such a great scene of electronic music, and I think that was very prominent in Pusher, and the nightlife was the beat of the film. I feel what is really great about Pusher is that it wasn't about drugs and guns and strippers. That was just all circumstantial. I felt like it was really about people and how decisions and circumstances can change relationships. Something just happens. Everything changes for a reason.