Seven years into writing a novel, I started to lose my mind. My thirty-seventh birthday had just come and gone, the end of 2008 was approaching, and I was constantly aware of how little I had managed to accomplish.

If anybody reads an Indian newspaper, all these things are obvious, and so I am not breaking news. All I am doing is representing my community as it actually is. Also, I have to assume that readers are sophisticated enough to know that not every person in a community is the same, and so there are many people who would not force an abortion just because a fetus is female. Even within my stories, people hold opposing views.

For me, a lot of the humor comes not from innocence but from characters trying to figure out how to get what they need. I don't try to be funny, but am relieved when an opportunity comes up for humor.

Money is part of how we move through the world, what stores and restaurants we go into, whether we take a train to the airport or a taxi. Describing characters living in the real world requires describing them engaging with money. There are also so many emotional aspects to money - feelings of inadequacy, feelings of security. I am not sure if there needs to be more about money in fiction, but the absence of this aspect can make a story feel somehow frictionless and unreal.

Novels should be judged rigorously. Either a book works or it doesn't. The fact that something is true in the real world should not lend authority to it in fiction.

It's easy when you grow up in fear to act out of fear. I don't want to embrace that fear; I prefer to be kind.

I tend to think that we are all pretty much alike. We all feel despair. We all have problems with relationships. We all become afraid. We all look at others and think these other people are more fortunate than us. Certainly the details of our life are unique. Spending time thinking of how I am different from someone else, however, does not tend to be very productive.