The only real reason that I'd have for working for Hollywood is the fantastic amounts of money involved, and that isn't enough of an incentive to really give up the degree of control that I have over my work at the moment with comics. I suppose that's probably why I don't have any designs on being a screenwriter.

I doubt that there are many screenplays of movies that either of us have seen over the past 10 years that were first drafts, or were the work of purely one person. In my world, the actors and the director are all made of paper, and they do exactly what I say. I feel much more in control of the finished work. I feel like the statement that I'm making - even though it's in a medium by no means as glamorous or as widely recognized as film - is at least the statement that I wanted to make. That's a lot more important to me than the allure of working for Hollywood.

Roses are red Violets are blue Everything's possible Nothing is true.

Love doesn't have a point. Love is the point.

I'm the king of the 20th century. I'm the boogeyman, the villian, the black sheep of the family.

Culture is just a shambling zombie that repeats what it did in life; bits of it drop off, and it doesn't appear to notice.

There's no flesh or blood within this cloak to kill. There's only an idea. Ideas are bulletproof.