Judged by the stark, sure-footed portrait in Hard Time, Brian Azzarello and Richard Corben clearly have John Constantine down, cold and to the life. Azzarellos grasp of pacing, character and situation resonates through every scene with a black crystal clarity thats short of masterful, while Corben contributes what is, perhaps, one of the most darkly expressive pieces in a long, already-legendary career.

Language comes first. It's not that language grows out of consciousness, if you haven't got language, you can't be conscious.

Please, don't go. It's lonely. There's a hole in my head as big as the world and it's so very lonely.

Nothing ends, Adrian. Nothing ever ends.

I thought as much. Miss Murray, though I am a beast, do not think that I am stupid. I know that I am hideous and hateful. I am not loved, nor ever hope to be. Nor am I fool enough to think that what I feel for you is love. But in this world, alone, I do not hate you. And alone in this world, you do not hate me.

I've always wanted to explore characters of all races, all genders, all ages. It just seems to me to be a natural way to approach any kind of storytelling.

In an era of stress and anxiety, when the present seems unstable and the future unlikely, the natural response is to retreat and withdraw from reality, taking recourse either in fantasies of the future or in modified visions of a half-imagined past.