The one thing with writing stories about the rise of fascism is that if you wait long enough, you'll almost certainly be proved right. Fascism is like a hydra - you can cut off its head in the Germany of the '30s and '40s, but it'll still turn up on your back doorstep in a slightly altered guise.

LSD was an incredible experience. Not that I’m recommending it for anybody else; but for me it kind of – it hammered home to me that reality was not a fixed thing. That the reality that we saw about us every day was one reality, and a valid one – but that there were others, different perspectives where different things have meaning that were just as valid. That had a profound effect on me.

Equality and freedom are not luxuries to lightly cast aside. Without them, order cannot long endure before approaching depths beyond imagining.

The past can't hurt you anymore, not unless you let it.

I don’t think people realise how vital libraries are or what a colossal danger it would be if we were to lose any more. Having had a truncated school life myself, all of my education from the age of 17 has been self-taught. I wouldn’t be the person I am today if it wasn’t for the opportunities the library gave me.

Memory's so treacherous. One moment you're lost in a carnival of delights with poignant childhood aromas, the flashing neon on puberty, all that sentimental candyfloss. The next, it leads you somewhere you don't want to go.. Somewhere dark and cold, filled with the damp ambiguous shapes of things you'd hoped were forgotten.

My main point about films is that I don't like the adaptation process, and I particularly don't like the modern way of comic book-film adaptations, where, essentially, the central characters are just franchises that can be worked endlessly to no apparent point.