My only problem with fans is when they turn pro. For example, when all the professional writers were fired by DC in the '60s, they brought in a generation of comic book fans who would have paid to have written these stories.

I don't like to go to conventions, and I don't like to relate to people on a level of hero worship, because there's no real communication going on there.

On the one occasion where I did try writing a screenplay, I found the rewriting just unendurable.

It may be true that the only reason the comic book industry now exists is for this purpose, to create characters for movies, board games and other types of merchandise.

I sat on the bed. I looked at the Rorschach blot. I tried to make it look like a spreading tree, shadows pooled beneath it, but it didn't. It looked more like a dead cat I once found, the fat, glistening grubs writhing blindly, squirming over each other, frantically tunneling away from the light. But even that isn't the real horror. The horror is this: in the end, it is simply a picture of empty meaningless blackness.

It seems that every movie is a remake of something that was better when it was first released in a foreign language, as a 1960s TV show, or even as a comic book. Now you’ve got theme park rides as the source material of movies. The only things left are breakfast cereal mascots. In our lifetime, we will see Johnny Depp playing Captain Crunch.

My main point about films is that I don't like the adaptation process, and I particularly don't like the modern way of comic book-film adaptations, where, essentially, the central characters are just franchises that can be worked endlessly to no apparent point.