That Beatle euphoria has always been there, and it's hard to be in a room with a Beatle and try to be totally natural. You never shake that off.

That Beatle euphoria has always been there, and it's hard to be in a room with a Beatle and try to be totally natural. You never shake that off.

I had the honor of speaking with Asimov. The album ended up being something not directly related to Asimov, but related instead to the concept of the power of robotics.

I was 17 and just learning what high fidelity was, what good sound was, and learning the mechanics of tape machines. It was a real education, going right from the consumer end to the record factory.

In France, you can sell a lot, but nobody outside of France ever hears of it.

I try to find a way that the other guy hasn't thought of using a sound or a sample.

Any effects created before 1975 were done with either tape or echo chambers or some kind of acoustic treatment. No magic black boxes!