I don't experience basic human emotions. It's not my thing.

I can't not put humor in a book.

'Drive' came to me because the casting director knew my manager and called and said, 'You've always talked to me about Albert wanting to play the heavy. I think he should read this.' My ears just perked up.

If anything happens to me, tell every woman I've ever gone with I was talking about her at the end. That way, they'll have to reevaluate me.

There's always the standard six people you can hire that have played all these villains in Hollywood. Instinctively, when they come on screen, you know what's going to happen. You don't know the story, but you know what they do.

The whole world is tense. Everybody gets the international news. Theres been no American comedy at all that even remotely addresses the subject in any way. My goal isnt to solve the worlds problems. My character wasnt even able to do his assignment. But the premise of wanting to find out about somebody -- other than the stuff that the CIA will tell you -- theres no hope unless we do that.

Even though my father was a radio comedian, it wasn't cool to say, at a young age, 'I want to be a comedian.'