That's the terrible thing: the more one works on a picture, the more impossible it becomes to finish it.

The form is always the measure of the obsession.

If I see everything in gray, and in gray all the colors which I experience and which I would like to reproduce, then why should I use any other color?

That's the terrible thing: the more one works on a picture, the more impossible it becomes to finish it.

In the past I have never thought about loneliness when working, and I don't think about it now. Yet there must be a reason for the fact that so many people talk about it.

It was always disappointing to see that what I could really master in terms of form boiled down to so little.

I paint and sculpt to get a grip on reality... to protect myself.