Hastiness and superficiality are the psychic diseases of the 20th century, and more than anywhere else this disease is reflected in the press.

Literature cannot develop between the categories "permitted"—"not permitted"—"this you can and that you can't." Literature that is not the air of its contemporary society, that dares not warn in time against threatening moral and social dangers, such literature does not deserve the name of literature; it is only a facade. Such literature loses the confidence of its own people, and its published works are used as waste paper instead of being read. -Letter to the Fourth National Congress of Soviet Writers

Whenever the tissue of life is woven of legalistic relationships, this creates an atmosphere of spiritual mediocrity that paralyzes a person's noblest impulses.

The less you speak, the more you will hear.

I refuse to see literature as amusement, as a game. I think that you ought not to approach literature without a moral responsibility for every word you write.

What is an optimist? The man who says, "It's worse everywhere else. We're better off than the rest of the world. We've been lucky." He is happy with things as they are and he doesn't torment himself. What is a pessimist? The man who says, "Things are fine everywhere but here. Everyone else is better off than we are. We're the only ones who've had a bad break." He torments himself continually.

Like a bicycle, like a wheel that, once rolling, is stable only so long as it keeps moving but falls when its momentum stops, so the game between a man and woman, once begun, can exist only so long as it progresses. If the forward movement today is no more than it was yesterday, the game is over.