When you're doing an animated series, you tend to pitch storyboards. You write a script and then you draw a comic version of that script and put it up on big boards, and then you pitch it to a big room of executives and writers.

If you ask anyone in animation, how long they've been into animation, they'll pretty much always tell you that it's since they can remember, and I'm no exception.

Gravity Falls has transformed the children of America into an army of Dippers. I couldn't be more proud!

I remember as a kid being scared of the things that go bump in the night, but I was way more scared of adults.

I think twins can sometimes be shoved into the same mold and they can start to feel like they're not being given a chance to develop their own identities.

Some people could say, "I'd like something that's super dramatic and miserable and made me cry and made me sad forever" but that's not my taste.

When I was 12 years old, I was obsessed with codes, conspiracies, and secret messages. I would record TV commercials with SoundRecorder.exe on Windows 95 and reverse them to see if I was being subliminally influenced to watch Pokémon by Japanese spies.