The concern about what's too violent or what's too scary is something that I just completely don't let enter into my creative process. I feel like, if I spend a lot of time trying to worry about whether it will appeal to everyone and who will like it and who won't, and I try to please everyone, I'll just spread myself too thin and lose my mind.

I'm a very relentless individual and have a lot more insanity coming.

I think twins can sometimes be shoved into the same mold and they can start to feel like they're not being given a chance to develop their own identities.

Once you train an audience to look for significance, they start to find it everywhere.

I thought that was the coolest thing in the world, the idea of somebody trying to solve mysteries. I would see conspiracies in everything. I think I believed in leprechauns longer than any of my fellow classmates because I tried to catch them.

The most relevant misadventure that I had, as a kid, is when I remember being pretty convinced that leprechauns were real and that I was going to catch one.

I absolutely love television. What's so great about TV is that I can tell 20 stories in a year. If I was working at a feature studio, I'd tell 1% of someone else's story, over the course of four years.