I think the worst reaction that I could get from someone to my photos is some sort of mediocre, middle-range reaction where they really get nothing from it, and they want to move on to the next thing. [I'd rather they be] horrified, pissed off at me, extremely disgusted at how bad of an artist I am.

I think that's one of the reasons it's nice to leave out a lot; it can become a lot more personal to people if there is room for them to put their own experiential time track on it.

I never thought about the green, but LA has a lot of greenery.

It's hard for me to approach [a film] as a still image now that I know exactly what it takes to make a movie. I mean, I know what it takes to make a movie that lasts five minutes.

I think the worst reaction that I could get from someone to my photos is some sort of mediocre, middle-range reaction where they really get nothing from it, and they want to move on to the next thing. [I'd rather they be] horrified, pissed off at me, extremely disgusted at how bad of an artist I am.

I can't even imagine what it is like to make a movie that lasts two hours.

It's always really scary to release new work.