You see nature and then you try to emulate it.
Just as one can compose colors, or forms, so one can compose motions.
The underlying sense of form in my work has been the system of the Universe, or part thereof. For that is a rather large model to work from.
That others grasp what I have in mind seems unessential, at least as long as they have something else in theirs.
I love red so much, I almost want to paint everything red.
The universe is real, but you can't see it. You have to imagine it.