The underlying sense of form in my work has been the system of the Universe, or part thereof. For that is a rather large model to work from.

Just as one can compose colors, or forms, so one can compose motions.

You see nature and then you try to emulate it.

My fingers always seem busier than my mind.

The first inspiration I ever had was the cosmos, the planetary system.

The sense of motion in painting and sculpture has long been considered as one of the primary elements of the composition.

The trouble with a lot of artists today is that they have too much technique and equipment. They don't know what to do with it all. If you cut down on it, you can work more strongly within narrower limits.