Just as one can compose colors, or forms, so one can compose motions.

The underlying sense of form in my work has been the system of the Universe, or part thereof. For that is a rather large model to work from.

If you can imagine a thing, conjure it up in space then you can make it... The universe is real but you can't see it. You have to imagine it. Then you can be realistic about reproducing it.

My whole theory about art is the disparity that exists between form, masses and movement.

To an engineer, good enough means perfect. With an artist, there's no such thing as perfect.

The basis of everything I do is the universe.

That others grasp what I have in mind seems unessential, at least as long as they have something else in theirs.