In the recording process, sometimes people feel that there isn't a space for them to contribute.

To stop for years and then discover that the audience is getting smaller and smaller would be demoralizing.

In the recording process, sometimes people feel that there isn't a space for them to contribute.

I think being a DJ is that thing of learning what makes a crowd move. As a DJ, you're constantly learning. It's like chess or something. After a couple of years, you think you're good, then you see a real DJ that's been doing it for 20 years and they just blow you away. I think that's one of the things I like about DJing: you can get better and better and better.

It's an example of when three people think something's brilliant and one thinks it's terrible. I suppose that's what improvising can be like because you just don't really know how anyone's feeling about it. You come off stage like, "Was that good?"

If you can do something that doesn't rely on a major melody but still sounds immediate rather than being obtuse and devoid of anything to catch onto, that's great.

For me, the audience is the most important thing in the whole chain, so finding out how they respond to things is a learning curve at all times.