You can't live and write at the same time.

Basically, my work is play. It never actually feels that way - I'm always aiming to attain that state. But I get to do for a living what I did as a child for fun, and that's pretty cool.

I don't know, maybe it's because I was raised Catholic. Confession has always held a great appeal for me.

I love Jules Feiffer. I didn't discover him until I was a little older.

I could not do what I do if I were not obsessive compulsive to a certain extent. I don't act clinically OCD. I'm not going to check things so many times I have to take drugs for it. But the kind of complicated and painstaking work I have to do to make my drawings, it just kind of harnesses that compulsive energy in a constructive way.

I do sometimes miss doing that lighter, more humorous work, and I find there's a heavier responsibility that goes along with a literary reputation. You have to start knowing what you're talking about and you have to go have public conversations with writers. That's been pretty intense; I have to really stay on top of things in a way I didn't before.

Who embalms the Undertaker when he dies?