I'm interested in thinking about how are we contributing to the culture, what we can write that might help us deepen the culture, make us more reflective, make us more empathetic, make us feel our connectedness in other ways.

I think I started writing as a young person because I felt a lot of psychic confusion and emotional confusion, and writing was a way to sort it out. You know, to externalize it, sort it out, put it down, look at it, and hopefully it would become clearer.

I'm just really interested in the interface of the individual with the collective. I think that's where the arts live.

I'm always writing towards a discovery. When I'm writing poems in particular, I'm often writing because a few images coalesced in my mind and I thought, "I wonder why these images are abrading against each other. I wonder what happens if put them in a poem and explore them." I'm trying to learn something every time I write a poem.

One needs to be on guard against expecting external powers to decide when you can take yourself seriously as an artist. It can be a long wait - and lead to endless appetite.

I was attacked by two dogs when I was three and a half years old. I'm lucky to be alive. My face was stitched back together and here I still am, gratefully so. I believe that experience shocked me into a deep alliance with the animal world, its beauty and viciousness and terror.

Writers want recognition, audience, some corroboration that all those hours at the desk and in daydreams add up to something in the esteem of others.