Totally. I think things are beautiful when you don’t plan them, and you don’t have any expectations, and you’re not trying to get somewhere in particular. You’re just enjoying it, and making something because you love it, and love the people that you’re playing with. I guess everything happens as a reason.

Totally. I think things are beautiful when you don’t plan them, and you don’t have any expectations, and you’re not trying to get somewhere in particular. You’re just enjoying it, and making something because you love it, and love the people that you’re playing with. I guess everything happens as a reason.

When you do music, your friends are writers, actors, painters. It's all under the sameroof. So anything creative is interesting to me.

I never really planned on playing music. But it was a thing I'd always done, since I was young. So it just carried me away; I never really had to make a plan for it or make any decisions. It just sort of decided on me. And I don't know what the hell I would have done otherwise.

It was an honor to work with Samantha Morton on this Casablanca-esque, silent-film-esque, Americana photobooth Woolworth's hay day period piece of surrealism/ realism/ story time tell-tale-ism, black and white 35 mm film, washed in strange light, over this love hate tune, heartbreak song, life-goes-on lullaby, The Last Goodbye. It's a doorway into the future of the fatal past-tense. Get it?

All of my art is suitcase-sized. I always paint in mediums that dry pretty quickly because I've got to throw them in my suitcase and go. And I have so much because of that, because it's what I've always done to pass the time and I like it.

Performing is one thing, and day-to-day stuff - like the way you talk to people - is totally different. If I acted like I did onstage in normal life, everyone would probably hate me.