The more nervous I am, and the more insane a situation is, the more I love it and get addicted to it. That's why I love playing on stage. And I kind of freak out if I don't get to do it, because it's a big part of my sanity, I think.
Alison MosshartI actually got into music because of art and because of skateboarding: All those graphics and punk bands and fanzines - they were glued together in my brain.
Alison MosshartI never really planned on playing music. But it was a thing I'd always done, since I was young. So it just carried me away; I never really had to make a plan for it or make any decisions. It just sort of decided on me. And I don't know what the hell I would have done otherwise.
Alison MosshartIf I'm working on one thing, then that's all that there is going on, and there's no such thing as a side project to me. It's 100 percent.
Alison MosshartPerforming is one thing, and day-to-day stuff - like the way you talk to people - is totally different. If I acted like I did onstage in normal life, everyone would probably hate me.
Alison MosshartPerforming to me is the most vital, most important. It's my favorite part of all of it. I just want to be on stage.
Alison MosshartWhen you do music, your friends are writers, actors, painters. It's all under the sameroof. So anything creative is interesting to me.
Alison MosshartTotally. I think things are beautiful when you don’t plan them, and you don’t have any expectations, and you’re not trying to get somewhere in particular. You’re just enjoying it, and making something because you love it, and love the people that you’re playing with. I guess everything happens as a reason.
Alison MosshartAll of my art is suitcase-sized. I always paint in mediums that dry pretty quickly because I've got to throw them in my suitcase and go. And I have so much because of that, because it's what I've always done to pass the time and I like it.
Alison MosshartA lot of people don't like touring because it's monotonous and you're waiting around a lot but for me it's great. I'm inspired by being in a different town every day - all the people I meet, all the things I see.
Alison MosshartIt was an honor to work with Samantha Morton on this Casablanca-esque, silent-film-esque, Americana photobooth Woolworth's hay day period piece of surrealism/ realism/ story time tell-tale-ism, black and white 35 mm film, washed in strange light, over this love hate tune, heartbreak song, life-goes-on lullaby, The Last Goodbye. It's a doorway into the future of the fatal past-tense. Get it?
Alison Mosshart