Performing to me is the most vital, most important. It's my favorite part of all of it. I just want to be on stage.

Performing is one thing, and day-to-day stuff - like the way you talk to people - is totally different. If I acted like I did onstage in normal life, everyone would probably hate me.

It was an honor to work with Samantha Morton on this Casablanca-esque, silent-film-esque, Americana photobooth Woolworth's hay day period piece of surrealism/ realism/ story time tell-tale-ism, black and white 35 mm film, washed in strange light, over this love hate tune, heartbreak song, life-goes-on lullaby, The Last Goodbye. It's a doorway into the future of the fatal past-tense. Get it?

All of my art is suitcase-sized. I always paint in mediums that dry pretty quickly because I've got to throw them in my suitcase and go. And I have so much because of that, because it's what I've always done to pass the time and I like it.

Playing a song changes a song. Every night a song becomes something else on stage.

I actually got into music because of art and because of skateboarding: All those graphics and punk bands and fanzines - they were glued together in my brain.

If I'm working on one thing, then that's all that there is going on, and there's no such thing as a side project to me. It's 100 percent.