When you do music, your friends are writers, actors, painters. It's all under the sameroof. So anything creative is interesting to me.

If I'm working on one thing, then that's all that there is going on, and there's no such thing as a side project to me. It's 100 percent.

Totally. I think things are beautiful when you don’t plan them, and you don’t have any expectations, and you’re not trying to get somewhere in particular. You’re just enjoying it, and making something because you love it, and love the people that you’re playing with. I guess everything happens as a reason.

I think you have to find your own language. You find your footing with it, and you start to express it in certain ways.

All of my art is suitcase-sized. I always paint in mediums that dry pretty quickly because I've got to throw them in my suitcase and go. And I have so much because of that, because it's what I've always done to pass the time and I like it.

It was an honor to work with Samantha Morton on this Casablanca-esque, silent-film-esque, Americana photobooth Woolworth's hay day period piece of surrealism/ realism/ story time tell-tale-ism, black and white 35 mm film, washed in strange light, over this love hate tune, heartbreak song, life-goes-on lullaby, The Last Goodbye. It's a doorway into the future of the fatal past-tense. Get it?

Performing to me is the most vital, most important. It's my favorite part of all of it. I just want to be on stage.