The place of my novels is Israel, almost without exception. All of them take place in Israel - in Jerusalem, in the desert, in the kibbutz, in small towns, in villages.

We got a wonderful present from Stalin and Hitler that they never meant to give us. We were immune for 60 years or so to aggression, racism and militarism. They made us partly immune to these things. Now it appears this Stalin-Hitler present has reached its expiration date. We were spoiled by this. So maybe we are just emerging out of a relatively golden age.

I find the family the most mysterious and fascinating institution in the world.

There is a document in every novel in the world. Even in the most fantastic novel, even in science fiction, there is a documentary side. But, this side is not the crux of the matter. I don't think a novel's main donation, main gift, is the document. The document is there, but a novel goes beyond documentation. It goes into opening a new vista, opening a new perspective, showing familiar things in an unfamiliar way.

Of course my books are translated into many languages. I have here, in my home, translations on my shelf of my books into forty-five different languages. Almost none of them I can read. I can read only the English editions. But, I know that a translation of a work of literature is like playing a violin concerto on the piano. You can do this. You can do this very successfully on one strict condition: never try to force the piano to produce the sounds of the violin. This will be grotesque. So, different musical instruments provide for different music.

There are certain concepts, which exist in english, and are unthinkable, untranslatable into Hebrew and vice versa.

In many ways, I regard Sharon and Arafat as birds of a feather.