I don't think Israelis are less critical of corruption than people in Italy, France or America. Israel is special in a different way. There is a daytime Israel and a nighttime Israel. The first is self-confident, pushy and passionate, like other Mediterranean lands. It is hedonistic, materialistic and almost arrogant. During the nighttime, people are terrified, people are filled with existential dreads. These fears aren't baseless.

I wrote The Same Sea not as a political allegory about Israelis and Palestinians. I wrote it about something much more gutsy and immediate. I wrote it as a piece of chamber music.

Donald Trump basically said: One state, two states, do whatever you like. I do not think this was a serious statement of American policy. This was him shrugging his shoulders and saying: Who cares about it. I think he doesn't even have the faintest idea of what he wants to do in the Middle East.

All you can see, if you look through the window - everything you see is a fulfillment of dreams, different dreams.

It is crystal clear to me that if Arabs put down a draft resolution blaming Israel for the recent earthquake in Iran it would probably have a majority, the U.S. would veto it and Britain and France would abstain.

Actually, who hasn't been through the ghastly experience of sitting in front of a blank page, with its toothless mouth grinning at you: Go ahead, let's see you lay a finger on me? A blank page is actually a whitewashed wall with no door and no window. Beginning to tell a story is like making a pass at a total stranger in a restaurant.

Literature is about telling stories.