"The State of the Jews" was not a title of a country. It was a title of a futuristic novel.

Almost every modern literary form existed in Hebrew two thousand years ago. And, yes, it existed even during the middle ages.

Many intellectuals in America and in Europe, they are in the habit of taking sides: who are the bad guys? who are the good guys? They launch a demonstration against the bad guys, sign a petition in favor of the good guys, and going to sleep feeling well about themselves. This is not the case here. The Israeli-Palestinian conflict is a tragedy; it is a clash between right and right.

… that sour blend of loneliness and lust for recognition, shyness and extravagance, deep insecurity and self-intoxicated egomania, that drives poets and writers out of their rooms to seek each other out, to rub shoulders with one another, bully, joke, condescend, feel each other, lay a hand on a shoulder or an arm round a waist, to chat and argue with little nudges, to spy a little, sniff out what is cooking in other pots, flatter, disagree, collude, be right, take offence, apologise, make amends, avoid each other, and seek each other’s company again.

The whole Zionist project was based on a whole spectrum of different and even conflicting dreams and visions.

Hebrew is deeply inspired by other languages.

Literature belongs first and foremost to the language in which it is being written.