I know that homes burn and that you should think what to save before they start to. Not because, in the heat of it, everything looks as valuable as everything else. But, because nothing looks worth the bother, not even your life.

I assemble stories-me and a hundred million other people-at the sentence level. Not by coming up with a sweeping story line.

I know when a story is finished when there is not a single thing more I can think to do to it. And since I know at the start what the last line will be, I know when I've reached that point as logically as I can that it's finished. As for the rewriting-it's not foolproof, of course, but if you're honest about having thought of every possibility and you still come back to what you have, what more can you do?

When the beer is gone, so are they -- flexing their cars on up the boulevard.

I think of the chimp, the one with the talking hands. In the course of the experiment, that chimp had a baby. Imagine how her trainers must have thrilled when the mother, without prompting, began to sign her newborn. Baby, drink milk. Baby, play ball. And when the baby died, the mother stood over the body, her wrinkled hands moving with animal grace, forming again and again the words: Baby, come hug, Baby come hug, fluent now in the language of grief.

I've always known when I start a story what the last line is. It's always been the case, since the first story I ever wrote. I don't know how it's going to get there, but I seem to need the destination. I need to know where I end up. It never changes, ever.

I do feel that if you can write one good sentence and then another good sentence and then another, you end up with a good story.