I have written letters that are failures, but I have written few, I think, that are lies. Trying to reach a person means asking the same question over and over again: Is this the truth, or not? I begin this letter to you, then, in the western tradition. If I understand it, the western tradition is: Put your cards on the table.
Amy HempelI told him about the way they get to know you. Not the way people do, the way they flatter you by wanting to know every last thing about you, only it isn't a compliment, it is just efficient, a person getting more quickly to the end of you. Correction - dogs do want to know every last thing about you. They take in the smell of you, they know from the next room, asleep, when a mood settles over you. The difference is there's not an end to it.
Amy HempelI probably have less revision than those who have that wonderful rush of story to tell - you know, I can't wait to tell you what happened the other day. It comes tumbling out and maybe then they go back and refine. I kind of envy that way of working, but I just have never done it.
Amy HempelI think you would like Warren. He drinks Courvoisier in a Coke can, and has a laugh like you'd find in a cartoon bubble.
Amy HempelI've always known when I start a story what the last line is. It's always been the case, since the first story I ever wrote. I don't know how it's going to get there, but I seem to need the destination. I need to know where I end up. It never changes, ever.
Amy HempelSometimes a flat-footed sentence is what serves, so you don't get all writerly: 'He opened the door.' There, it's open.
Amy HempelI exaggerated even before I began to exaggerate, because it's true โ nothing is ever quite as bad as it could be.
Amy HempelThe other day I was playing Scrabble. I saw that I could close the space in D-E- -Y. I had an N and an F. Which do you think I chose? What was the word I made?
Amy HempelI know that homes burn and that you should think what to save before they start to. Not because, in the heat of it, everything looks as valuable as everything else. But, because nothing looks worth the bother, not even your life.
Amy HempelI assemble stories-me and a hundred million other people-at the sentence level. Not by coming up with a sweeping story line.
Amy HempelIt is possible to imagine a person so entirely that the image resists attempts to dislodge it.
Amy HempelThen the children went to bed, or at least went upstairs, and the men joined the women for a cigarette on the porch, absently picking ticks engorged like grapes off the sleeping dogs. And when the men kissed the women good night, and their weekend whiskers scratched the women's cheeks, the women did not think shave, they thought stay.
Amy HempelWear your heart on the page, and people will read to find out how you solved being alive.
Amy HempelSometimes I can better describe a person by another person's reaction. In a story in my first book, I couldn't think of a way to sufficiently describe the charisma of a certain boy, so the narrator says, "I knew girls who saved his gum."
Amy HempelWhen my mother died, my father's early widowhood gave him social cachet he would not have had if they had divorced. He was a bigger catch for the sorrow attached.
Amy HempelThe only time the word baby doesn't scare me is the time that it should, when it is what a man calls me.
Amy Hempelconsolation is a beautiful word. everyone skins his knee-that doesnt make yours hurt anyless.
Amy HempelMy job ... I do nothing, it pays nothing, but - you guessed it - it's better than nothing.
Amy HempelSince his mother died I have seen him steam a cucumber thinking it was zucchini. That's the kind of thing that turns my heart right over.
Amy HempelI am not quite myself, I think.But who here is quite himself? And yet there is a way in which we are all more ourselves than ever, I suppose.
Amy HempelI think of the chimp, the one with the talking hands. In the course of the experiment, that chimp had a baby. Imagine how her trainers must have thrilled when the mother, without prompting, began to sign her newborn. Baby, drink milk. Baby, play ball. And when the baby died, the mother stood over the body, her wrinkled hands moving with animal grace, forming again and again the words: Baby, come hug, Baby come hug, fluent now in the language of grief.
Amy HempelI sleep with a glass of water on the nightstand so I can see by its level if the coastal earth is trembling or if the shaking is still me.
Amy HempelThe year I began to say vahz instead of vase, a man I barely knew nearly accidentally killed me.
Amy HempelI had a mother I could only seem to please with verbal accomplishments of some sort or another. She read constantly, so I read constantly. If I used words that might have seemed surprising at a young age, she would recognize that and it would please her.
Amy HempelIt was like that class at school where the teacher talks about Realization, about how you could realize something big in a commonplace thing. The example he gave--and the liar said it really happened--was that once while drinking orange juice, he'd realized he would be dead someday. He wondered if we, his students, had had similar 'realizations.' Is he kidding? I thought. Once I cashed a paycheck and I realized it wasn't enough. Once I had food poisoning, and realized I was trapped inside my body.
Amy HempelAnd I see that not touching for so long was a drive to the beach with the windows rolled up so the waves feel that much colder.
Amy HempelI started writing by doing small related things but not the thing itself, circling it and getting closer. I had no idea how to write fiction. So I did journalism because there were rules I could learn. You can teach someone to write a news story. They might not write a great one, but you can teach that pretty easily.
Amy HempelI do feel that if you can write one good sentence and then another good sentence and then another, you end up with a good story.
Amy Hempel