I moved to Chicago in the early 1990s and I studied improvisation there. I learned some rules that I try to apply still today: Listen. Say yes. Live in the moment. Make sure you play with people who have your back. Make big choices early and often. Don't start a scene where two people are talking about jumping out of a plane. Start the scene having already jumped. If you're scared, look into your partner's eyes — you will feel better.

If you are lucky, there is a moment in your life when you have some say as to what your currency is going to be. I decided early on it was not going to be my looks.

Most authors liken the struggle of writing to something mighty and macho, like wrestling a bear. Writing a book is nothing like that. It is a small, slow crawl to the finish line. Honestly, I have moments when I don't even care if anyone reads this book. I just want to finish it.

Well people love to go dirty and stuff like that. It's funny, because even really dirty things can kind of inspire, but all things inspire really dirty improv and monologues. So then really dirty things can inspire the exact opposite. It's kind of a crapshoot.

Looking silly can be ver powerful. People who are committing and taking risks become the king and queen of my prom. People are their most beautiful when they are laughing, crying, dancing, playing, telling the truth, and being chased in a fun way.

I had to come to terms with how I saw myself. I had to understand that I wasn't pretty or beautiful like most actresses and that I shouldn't care about whether other people found me attractive or not.

I really liked the idea of playing that kind of optimistic, super-intense, go-get-'em spirit combined with being a little bit of an outsider. I am really drawn to girls of that age in general, who believe they can be a waitress, scientist, actress, a dentist, a zookeeper...and who really aren't boy-crazy.