Abdellatif [Laâbi] was wildly popular with his students and it wasn't difficult to see why: like them, he knew that average Moroccans were hungry, jobless and desperate. They also knew they were ruled by a paranoid king who was more comfortable with Parisian financiers than his own subjects.
Andre Naffis-SahelyI've heard of translators collaborating closely with their authors, sometimes even living with them for a while, but that's not me.
Andre Naffis-SahelyI'm of the opinion that poetry is always political, and cannot help but be so, regardless of the poet's intent, given that refusing to deal in politics is in itself a political act.
Andre Naffis-SahelyOne cannot simply decide to write apolitical poetry, in the way one decides to drink lemonade instead of tea, it's far more subliminal than that.
Andre Naffis-SahelyI came to poetry at fourteen, in the middle of a booming oil-rush town in southern Arabia without a single public library: Abu Dhabi, the capital of the United Arab Emirates. All the wealth in the world and not a single intelligent idea as to how to employ it.
Andre Naffis-SahelyDealing with politically-engaged writers of color like Abdellatif Laâbi and Rashid Boudjedra - who ran away from school aged sixteen to fight against the French in the Algerian war - first requires convincing an editor to take a chance on them, which very few like to do these days.
Andre Naffis-Sahely