Don't look for "depth" but instead search for subject aspects which prove the presence of depth.

Unless a subject interests me, I'll pass it over and save my film for better things.

What matters is not what you photograph, but why and how you photograph it. Even the most controversial subject, if depicted by a sensitive photographer with honesty, sympathy, and understanding, can be transformed into an emotionally rewarding experience.

Human vision is untrustworthy, subjective and selective. Camera vision is total and non - objective.

Once a photographer is convinced that the camera can lie and that, strictly speaking, the vast majority of photographs are camera lies, inasmuch as they tell only part of a story or tell it in distorted form, half the battle is won. Once he has conceded that photography is not a naturalistic medium of rendition and that striving for naturalism in a photograph is futile, he can turn his attention to using a camera to make more effective pictures.

A technically perfect photograph can be the world's most boring picture.

Don't look for "depth" but instead search for subject aspects which prove the presence of depth.