I've been writing short stories for twenty years now, on and off ever since I was in the creative writing program at San Francisco State University.

That experience of losing home, longing for home, that yearning for meaning and rootedness and identity in a floating world, it's what often makes an immigrant story into an American story .

I am hopeful that the pendulum swings toward seeing immigrants in favorable terms once more.

I have a funny story to tell about English and how I came to fall in love with the language. I was desperate to fit in and spoke English all the time. Trouble was, in my household it was a no-no to speak English because somehow it is disrespectful to call parents and grandparents "you" - impersonal pronouns are offensive in Vietnamese.

After twenty years and thirty stories, thirteen pieces were finally selected and the collection was born. So far, the blurbs from [authors] Maxine Hong Kingston, Gish Jen, Robert Olen Butler, Oscar Hijuelos and others, have been most encouraging.

All three of my books, "Perfume Dreams: Reflections on the Vietnamese Diaspora," "East Eats West: Writing in Two Hemispheres," and "Birds of Paradise Lost," are immigrant narratives - their dreams, their traumas, their struggles - and I write them with the confidence that these stories, written from the heart, will belong, in time, to America.

The collection is a labor of love and devotion, and whenever I found free time from my journalism work, I'd work on one story or another, or at least sketch out my characters, and research various issues related to my characters' dilemmas.