Here is a writer possessing the greatest talent: that of fully inhabiting the lives of others. Spargo conjures up these two as no one has done before. Scott and Zelda become, in Spargo's remarkable novel, not people of history but of literature, and reminders of what we fight for, what we fail to win, and the beauty that abides between. A marvel of a book.

Despite all their fears, we ask very little of the ones who never loved us. We do not ask for sympathy or pain or compassion. We simply want to know why.

Perhaps love is a minor madness. And as with madness, it's unendurable alone. The one person who can relieve us is of course the sole person we cannot go to: the one we love. So instead we seek out allies, even among strangers and wives, fellow patients who, if they can't touch the edge of our particular sorrow, have felt something that cuts nearly as deep.

It takes too much imagination to see the sorrows of people we take for happy. Their real battles take place, like those of the stars, in some realm of light imperceptible to the human eye. It is a feat of the mind to guess another's heart.

It is a brave and stupid thing, a beautiful thing, to waste one's life for love.

Here was a thing that would grow old; here was a thing that would turn beautiful and lose that beauty, that would inherit the grace but also the bad ear and flawed figure of her mother, that would smile too much and squint too often and spend the last decades of her life creaming away the wrinkles made in youth until she finally gave up and wore a collar of pears to hide a wattle; here was the ordinary sadness of the world.

For me, the historical and genealogical library is the one I use. I'm working on, I'll say, it's a time travel novel. I haven't written very much of it. That's the dirty secret of the Cullman center: The writers don't write their fiction there, they just do their research.