The food to me is just a hook, it's a button, it happens to be the social construct and the cultural totem that I'm most familiar with. So of course I built the show around food because it's where I'm familiar.

The food stamp program is the largest piece of the Farm Bill, it's a massive amount of money, but not only has it been good for families that need it, but it's been fantastic for local economies.

The whole decision to do my show was that I was trying to "true up" my work life and my personal life and I wanted the principles in both of them to be the same. And the only way that I could think of to do that was to make a show about exploring cultures through food that demonstrated those principles with every story that we told.

I don't want people to judge books by their cover, I want people to be open minded to the rest of the world.

I'm always surprised on my social accounts that people assume that because you have a job in television you don't have a political opinion, or don't have a family, or don't have an interest in the rest of the country. It's just absolutely shocking to me how closed minded some people are.

The single greatest pleasure that I have in doing ('Bizarre Foods') is when I meet families with 6, 7, 8-year-olds, or teenagers, who say, 'It's something the whole family can watch, and it lets us show our younger children that one man's 'weird' is another man's 'wonderful,' and we all kind of live in the same place.' It's just the best part of my day.

Being honest about where you come from and what your story is is the only way to connect to other people, to really connect with them.