In the first years after the systemic transition, our screens showed American entertainment that had not been available before, or had been available only sporadically.

When a film is created, it is created in a language, which is not only about words, but also the way that very language encodes our perception of the world, our understanding of it.

On the one hand, young theatre directors were coming to television theatre, because they wanted to get closer to the cinema, despite having studied and worked for the theatre.

Language also encodes our past. We want to know who we are. To know who we are, we have to know who we used to be. Consequently, our literature, written in the past, anchors us in that past.

One might have thought that the most significant change in the film industry that would come about with a transition from the communist economy to capitalism would fundamentally concern the sources of funding.

As I said earlier, there are no writers who could create a literary vision of the new reality.

In the first years after the systemic transition, our screens showed American entertainment that had not been available before, or had been available only sporadically.