Films made in the spirit of the past continued to be made.

As I said earlier, there are no writers who could create a literary vision of the new reality.

Cinemas gained new young audiences who wanted films made for them.

Films made in the spirit of the past continued to be made.

By dint of that concern and because that society was willing to examine its particular reality, Solidarity could come into existence.

A novelty in Polish filmmaking was that it was possible to find funds for a big production. However, at the same time, the state budget committed less and less money to filmmaking.

One might have thought that the most significant change in the film industry that would come about with a transition from the communist economy to capitalism would fundamentally concern the sources of funding.