Everything has the energy of its making inside it.

The main reason I went to digital was because I got time-lapse, video, and still images all in one camera. Having a minimal amount of gear is really important for someone who wants to walk around. That allowed me to have this flexibility to document things in different ways.

If you repeat something, it can become pointless. Some things can repeat and be endlessly fascinating.

If you lay in the rain, every rain shower, storm, whatever, is different. Every surface is different.

We leave our presence in the pavement. We're walking over it, sitting on steps.

The main source of my income is through the commissions of the large-scale works and big sculptures, the projects.

There's a huge number of things that are occurring with the ice works which fascinate me enormously, but it's driven by this kind of frantic race against time. And whilst that creates a huge amount of tension and problems, it's a tension that I think I feed off.