I learned a lot from Clint [Eastwood], who's an extremely economic director. I learned a lot from Michael Winterbottom, who really gave a lot of trust in the actors and allowed them to live in the space instead of trying to manipulate and make it too set and too staged. Working with [Robert] De Niro taught me a lot of being an actors' director and what that is. I've learned a lot from pretty much everybody. Hopefully I've picked up something from everybody I've worked with.

I don't see the point of doing an interview unless you're going to share the things you learn in life and the mistakes you make. So to admit that I'm extremely human and have done some dark things I don't think makes me unusual or unusually dark. I think it actually is the right thing to do, and I'd like to think it's the nice thing to do.

First thing in the morning, we're really tired, and we look at each other and we wonder, 'Are we ever going to get sleep?' And yet, it doesn't matter if you don't get sleep. It's an honor to take care of them.

I've often felt unattractive or different looking. As I've grown up, I've felt more comfortable in my own skin. It may sound cliche, but when you feel beautiful and strong on the inside, it shows on the outside.

I'm somebody who works within Cambodia, with Cambodians. I work alongside the artists and society to work from within, so that is the focus, and from that I hope everybody who believes in democracy, in certain freedoms, will get louder, will grow their voices.

I've realized that being happy is a choice. You never want to rub anybody the wrong way or not be fun to be around, but you have to be happy. When I get logical and I don't trust my instincts - Thats when I get in trouble.

Sometimes I think my husband is so amazing that I don't know why he's with me. I don't know whether I'm good enough. But if I make him happy, then I'm everything I want to be.