TV is terrific. It's really fast paced which I find difficult.

At some point you realize, I have dreams. I would love to be working on wonderful roles, in wonderful films, with people I respect and admire. And that will come in its time. In the meantime, "Pay attention to your work. Get better at what you do." That's my job.

I can say that I am, by nature, optimistic.

My basic thought about actors, and I would say this to my students - I love to teach, but I haven't in awhile because I've been fortunate enough to be working - that, "If this is the work you love, there is work for you. That's how the world works. That's the attitude you have to go in there with. You just have to know that it's coming."

I always felt like a successful actor when I got a job.

In actor's career, I had a fair amount of denial, which I think is possibly in the genes, where I just couldn't go to, "Maybe this won't work out." I just couldn't do it. My mind just refused to go there. I don't mean there weren't low periods. There were plenty. But I remember arriving in New York and I was maybe 32, and I didn't have an agent. I came from Chicago, where I had gone to school and worked and got my sea legs, so to speak, and I remember walking out of the subway, walking the streets, standing in front of the theater and saying, "I will work in this theater."

There are so many fantastic roles, but the ones that have always drawn me to them are the loners who, for whatever reason, never quite fit in and knew it and had to find their own way. I've always been drawn to that, for some reason. I've always been drawn to that sad, isolated place, but what it produces in behavior is something else, entirely. For whatever reason, I'm drawn to these people. Essentially, I think what draws me is that they are survivors against rather considerable odds.