There are so many fantastic roles, but the ones that have always drawn me to them are the loners who, for whatever reason, never quite fit in and knew it and had to find their own way. I've always been drawn to that, for some reason. I've always been drawn to that sad, isolated place, but what it produces in behavior is something else, entirely. For whatever reason, I'm drawn to these people. Essentially, I think what draws me is that they are survivors against rather considerable odds.

The great thing about an independent film is that you're too busy working, and you're too busy hoping to God to get it done.

I think aging is underrated. As you grow older, you have perspective and you realize just how fortunate you are to be working. To be working with the people I've had the chances to work with, I honestly feel like the most fortunate person in the world. I think it's hugely important when you work to bring with you that spirit, which includes and immense sense of gratitude. How that translates into behavior is just to bring your energy, your good spirit and your appreciation, and do your homework and really listen to the person in front of you.

I was educated by nuns. None of them, of course, did anything resembling the actions of Lydia from The Handmaid's Tale, but they taught me a work ethic, that I had to toe the line, that I had to step up and do my work, and that we would stay until it was done, and that came from a devotion to making you the best person you can be. That's the take I have on Lydia. She knows her actions are firm and sometimes very harsh, but she also looks after them.

I have to say my background was mostly theatre, which I love, and it took a long time to feel comfortable there. That's probably true of anyone's career.

It took a very long time to really enjoy an audition, and to get in the room and do the best that I can. I've just been deeply grateful for my career, and that the love for the work and the characters is alive still. I try to let go of the armor as much as possible and not be afraid.

The first day of shooting, you always want to turn around and go home and say, "What was I thinking?!," and put your head under a pillow and weep. I could maybe go five weeks, and then the nerves would set in about when the next job was going to happen.