The great thing about an independent film is that you're too busy working, and you're too busy hoping to God to get it done.

To me, being an actor is the best job in the land, next to being a mother and having a family and a husband. I just think it's the realization of, "Hey, this is the greatest situation in the world."

My basic thought about actors, and I would say this to my students - I love to teach, but I haven't in awhile because I've been fortunate enough to be working - that, "If this is the work you love, there is work for you. That's how the world works. That's the attitude you have to go in there with. You just have to know that it's coming."

The work for the actor is always the same. We're looking for a human being. We're looking for believable human behavior.

I can say that I am, by nature, optimistic.

It's a question of dropping the armor and getting up and doing the work you want to do. And film at first is frightening because you are like, 'What's that camera doing?' But then it becomes family and therefore a really wonderful experience.

There are so many fantastic roles, but the ones that have always drawn me to them are the loners who, for whatever reason, never quite fit in and knew it and had to find their own way. I've always been drawn to that, for some reason. I've always been drawn to that sad, isolated place, but what it produces in behavior is something else, entirely. For whatever reason, I'm drawn to these people. Essentially, I think what draws me is that they are survivors against rather considerable odds.