I had thought everyone in the electronic world would be so laid back, but there's as many cliques and prejudices as any other world.

With the classical stuff, I've always been better at the big brushstrokes and broad textures than spending ages honing a chord, or tweaking a sample.

I want to become less and less about the laptop. That's what's lovely about an orchestra - the physicality, the way every gesture relates to something you're hearing.

I try to listen to stuff that makes me happy for other reasons, rather than being musically inspiring.

I had thought everyone in the electronic world would be so laid back, but there's as many cliques and prejudices as any other world.

Performances are so defined by their venues - it'd be nice for the music to dictate more of the reaction.

I'm up for a massive, bombastic tour with hydraulics, robots, lasers, 15 costume changes, projecting on a power station, big impact, big visuals. I'd love to realize the theatricality of the whole thing. To be overwhelming, to surprise you, maybe to play in hidden spaces.