Words bounce. Words, if you let them, will do what they want to do and what they have to do.

There are different gradations of personhood in different poems. Some of them seem far away from me and some up close, and the up-close ones generally don't say what I want them to say. And that's true of the persona in the poem who's lamenting this as a fact of a certain stage of life. But it's also true of me as me.

That night we made love "the real way" which we had not yet attempted although married six months. Big mystery. No one knew where to put their leg and to this day I'm not sure we got it right. He seemed happy. You're like Venice he said beautifully. Early next day I wrote a short talk ("On Defloration") which he stole and had published in a small quarterly magazine. Overall this was a characteristic interaction between us. Or should I say ideal. Neither of us had ever seen Venice.

When they made love Geryon liked to touch in slow succession each of the bones of Herakles' back as it arched away from him into who knows what dark dream of its own, running both hands all the way down from the base of the neck to the end of the spine which he can cause to shiver like a root in the rain.

They were two superior eels at the bottom of the tank and they recognized each other like italics.

We're talking about the struggle to drag a thought over from the mush of the unconscious into some kind of grammar, syntax, human sense; every attempt means starting over with language. Starting over with accuracy.

What would it be like to live in a library of melted books. With sentences streaming over the floor and all the punctuation settled to the bottom as a residue. It would be confusing. Unforgivable. A great adventure.