I don't necessarily agree with everything I read about my films, but I wouldn't highlight a specific misconception: If people think this or that about myself or my work, they must have their reasons.

Making films is - or should be - a very personal experience. You shouldn't listen to anybody, other than the people you choose to listen to.

Hollywood is still the cradle of many myths, including the one of eternal youth. I find it odd that the very notion of desire, when applied to a woman over 40, is turned into a pathology or a mockery in a number of films. But Hollywood is not the only place to blame, by far. This is just a rendition, possibly magnified by the power of movies, of a general state of things, social, cultural and political.

I don't necessarily agree with everything I read about my films, but I wouldn't highlight a specific misconception: If people think this or that about myself or my work, they must have their reasons.

In spite of all the terrible things that happen in our world, hope can - and must - prevail.

I am blessed to live and work in [France,] a country where women filmmakers are by and large not unfairly treated. So I wouldn't have much to contribute regarding issues faced as a female director.

When characters are drifting away from the "correct road", or in fact from any road they were supposed to follow, they lose control, they find other goals...and possibly their real selves. All these moments of changes, of self-questioning, are like an engine to the films I make - that's where lie the dynamics I'm interested in as a director.