The spirit in the body is like wine in a glass; when it spills, it seeps into air and earth and light….It’s a mistake to think it’s the small things we control and not the large, it’s the other way around! We can’t stop the small accident, the tiny detail that conspires into fate: the extra moment you run back for something forgotten, a moment that saves you from an accident – or causes one. But we can assert the largest order, the large human values daily, the only order large enough to see.

Now we're like planets, holding to each other from a great distance. [...] Now we're hundreds of miles apart, our short arms keep us lonely, no one hears what's in my head. [...] It's March, even the birds don't know what to do with themselves.

Long after you’ve forgotten someone’s voice, you can still remember the sound of their happiness or their sadness. You can feel it in your body.

The dead leave us starving with mouths full of love.” from “Memoriam

Reading a poem in translation is like kissing a woman through a veil.

The best teacher lodges an intent not in the mind but in the heart.

Translation is a kind of transubstantiation; one poem becomes another. You can choose your philosophy of translation just as you choose how to live: the free adaptation that sacrifices detail to meaning, the strict crib that sacrifices meaning to exactitude. The poet moves from life to language, the translator moves from language to life; both, like the immigrant, try to identify the invisible, what's between the lines, the mysterious implications.