When you put a tremendous amount of love into your work, as in any relationship, you can't know - you can only hope - that what you're offering will in some way be received. You shape your love to artistic demands, to the rigors of your genre. But still, it's a labor of love, and it's the nature of love that you must give it freely.

...when we say we're looking for a spiritual adviser, we're really looking for someone to tell us what to do with our bodies. Decisions of the flesh. We forget to learn from pleasure as well as pain.

I'm naive enough to think that love is always good no matter how long ago, no matter the circumstances.

Trees for example, carry the memory of rainfal. In their rings we read ancient weather - storms, sunlight and temperatures, the growing seasons of centuries. A forest shares a history which each tree remembers even after it has been felled.

When my parents were liberated, four years before I was born, they found that the ordinary world outside the camp had been eradicated. There was no more simple meal, no thing was less than extraordinary: a fork, a mattress, a clean shirt, a book. Not to mention such things that can make one weep: an orange, meat and vegetables, hot water. There was no ordinariness to return to, no refuge from the blinding potency of things, an apple screaming its sweet juice.

Any given moment - no matter how casual, how ordinary - is poised, full of gaping life.

I wanted a line in a poem to be the hollow ney of the dervish orchestra whose plaintive wail is a call to God. But all I achieved was awkward shrieking. Not even the pure shriek of a reed in the rain.