We humans need to do better with our vast minds and alchemical powers. Future radial poetries might be more symbiotic with the rest of consciousness.

Personally there is first: imagination; second: the act of writing - and third: the act/act of vocalizing.

I'm drawn to the magical efficacies of language as a political act.

The puzzle and conundrums of Emily Dickinson's poetry or The Cantos, by Ezra Pound, is infinitely pleasurable. Or Ronald Johnson's Ark. And the experience extends a whole lifetime. But the intensity of certain vocalized language affects our bodies in a particular way, and that further actualization propels me. The Greeks explored this; there were very particular meters used in making war, different ones for a love chant.

What I'm after is that wakeful state through language that stays alive.

I like the idea of the object, the relic. And I see it as a time machine too or a device you plug into a socket that activates a sound and light show.

Your compassion travels beyond your own inner circle. And then you breathe out an alternative version where you mentally and emotionally and psychologically purify the poisons. So indeed, the generative idea is in the crux of this practice and of my propensity toward poetry, which is a practice of the imagination.