There's a lot of different ways of going about teaching acting and ultimately you have to just kind of create your own. You have to be the author of your own acting school in a way. I mean you can take from this and this and you can watch people and you can watch performances on the stage. You can watch movies. But ultimately you have to figure it out for yourself.

You read something and you know it's not there yet. There's a little section here that... this part's good but that is a little not, it doesn't quite work. That doesn't quite work. That's easy. To say, "OK, now, this is what I think will fix it." That's harder. And most people can tell you what's wrong with something. Very few people can say what they would do to fix it.

In a film, if you can capture what's going on underneath, you can begin to make a connection between the character and the people watching it.

Movies are details. Movies are billions of details that come into a certain moment. So with all the years and months and weeks and days and minutes of preparation, then finally you're shooting and it all comes down to these moments when you're shooting, which is sort of insane when you think about it. The details make a difference.

We all have our insecurity and that's normal. And you have to learn to accept that about being an artistic person or aspiring to be an artistic person is that fears and insecurity, they don't go away.

We're not all evil or all good, and we all make mistakes to one degree or another.

I always wonder about people's history and their lives, especially people that are a little bit more distant, who obviously have had some kind of a thing and you know there's some reason why they're not able to connect. It's not because they don't want to. They don't have the ability.